By Michele Bourdieu, with information from the Rozsa Center for the Performing Arts
Joel Neves conducts the Keweenaw Symphony Orchestra in the Rozsa Center for the Performing Arts. For the first-ever Upper Peninsula performance of Mahler's Resurrection Symphony on Saturday, April 18, in the Rozsa, the KSO will perform with visiting musicians from around the UP, downstate Michigan, Wisconsin, and even Kansas -- to total of more than 175 musicians and members of Michigan Tech Choirs, with soloists Lara Neves and Kathryn Summersett. Click on photos for larger versions. (Photo courtesy Rozsa Center for the Performing Arts)HOUGHTON -- On Saturday, April 18, 2026, at 7:30 p.m., at the Rozsa Center for the Performing Arts, the Keweenaw Symphony Orchestra, Choirs of Michigan Tech, musicians from the Upper Peninsula and Midwest, and soloists Lara Neves and Kathryn Summersett, combine for the Upper Peninsula’s first-ever performance of Gustav Mahler’s transcendent Resurrection Symphony. In celebration of the Rozsa Center's 25th Anniversary Season, over 175 musicians and choir members will take the stage to perform one of the most ambitious pieces of music ever composed.
Conductor Joel Neves, Professor of Music and Director of Orchestral Activities at Michigan Technological University, has wanted to bring this experience to our local community for a long time.
Conductor Joel Neves addresses members of the Keweenaw Symphony Orchestra and visiting musicians during the April 15 dress rehearsal for Mahler's Resurrection Symphony. (Photo © John Peiffer for Keweenaw Now)
"The Mahler Resurrection Symphony, I think, is the G.O.A.T. of all symphonies, the greatest of all time," says Joel. "In the Resurrection Symphony, Mahler grapples with existential questions of the human soul: Why is life so painful? Why is death so tragic? Why are joyous moments so fleeting? Is there really any hope? Will mankind really live again after death? Mahler answers these questions throughout the five movements."
During the April 15 dress rehearsal, Joel Neves conducts selected parts of Mahler's Resurrection Symphony, sometimes working with one section of the orchestra at a time. (Photo © John Peiffer for Keweenaw Now)
"The symphony begins with a dark funeral march (first movement)," Joel notes, "followed by a dance that nostalgically reflects on happier times when life was filled with joyous possibility (second movement). The third movement is the sardonic, shrieking dance of a 'tortured soul.' The fourth movement is titled Primal Light, in which the mezzo-soprano soloist sings that 'humanity lies in great agony' and how she longs for spiritual union with God and the eternal life he promised.
"Then comes perhaps the greatest finale in all of music (over 30 minutes long!) which invokes the Day of Judgement and the Great Call for the dead to arise from their graves, with the choir proclaiming the miraculous Resurrection of all mankind."
Mahler’s Resurrection Symphony, 90 minutes long, calls for a massive orchestra, including ten horns, eight trumpets, two harps, two sets of timpani, organ, and off-stage horns and trumpets placed way up in the rafters; and a large chorus with two soloists.
"The symphony is such a behemoth that we had to bring in musicians from the Marquette Symphony Orchestra, Northern Michigan University, Sault-Sainte Marie, Escanaba, Iron Mountain, downstate Michigan, Wisconsin, and even Kansas, to augment our numbers," Joel adds. "This will be the largest choral-orchestral symphony ever performed on the Rozsa stage!"
Here are some brief clips of Mahler's music from the dress rehearsal held in the Rozsa Center on April 15:
During the April 15 dress rehearsal for the April 18, 2026, performance of Mahler's Resurrection Symphony at the Rozsa Center for the Performing Arts in Houghton, MI, Conductor Joel Neves directs members of the Keweenaw Symphony Orchestra in a selection from the beginning of the symphony. (Video by John Peiffer for Keweenaw Now)During the April 15 dress rehearsal, Conductor Joel Neves directs musicians of the Keweenaw Symphony Orchestra, who are joined by visiting musicians from various towns in Michigan and from Wisconsin and Kansas. (Video by Keweenaw Now)"This year has been a celebration -- and a reminder of how important it is to be in this space together as a community," says Kiersten Birondo, Executive Director of the Rozsa Center. "With so much talent from across the Upper Peninsula coming together, this concert represents the kind of collaboration, coordination, trust, and willingness to build something together that makes our surrounding community and the Rozsa Center so special."
This will be the first time Mahler’s Resurrection Symphony has ever been performed in the Upper Peninsula of Michigan. It includes possibly the greatest number of performers that have ever graced the Rozsa stage.
Steve Jones, Production Manager for the Rozsa Center, commented on the challenges posed by this very large performance.
"We're doing things for this show that we've never done in my ten years working here," Jones told Keweenaw Now. "We've got musicians performing up in the spotlight booth and some of the lighting areas up there. For them to be able to perform up there we had to hook up a video monitor of Joel's conductor cam (normally used for the livestream of the concert)."
Horn musicians prepare to play their off-stage parts in the tiny spotlight booth high above the Rozsa audience. The video monitor for viewing Conductor Joel Neves's direction is visible in the upper left of the photo. (Photo © John Peiffer for Keweenaw Now)During the April 15 dress rehearsal, off-stage horn musicians located in a spotlight booth high above the audience play their part in the symphony. In order to see conductor Joel Neves, they must view his directions on a livestream screen. (Video by John Peiffer for Keweenaw Now)
"There's a ton of behind-the-scenes work that goes into preparing the show," Jones added, "and with the help of my student crew that makes it all possible."
One of the visiting horn musicians playing in the small spotlight booth -- Brian Carter of Alpena, Michigan -- spoke with Keweenaw Now after the April 15 dress rehearsal. Brian has also played French horn with the Marquette Symphony, the Soo Opera, and the Great Lakes Chamber Orchestra in Petoskey.
Joel Neves is Director of Orchestral Activities at Michigan Tech, where he conducts the Keweenaw Symphony Orchestra. The KSO was awarded 2nd Place nationally in the American Prize in Orchestral Performance for its recordings of Jupiter and Sinfonia antartica. The orchestra recently premiered Joel’s new tone poem -- Kalaupapa --about his great-grandparents’ imprisonment in Molokai’s leper colony. Joel conducted the Hawaiian premiere of Kalaupapa in Honolulu in December 2024.
Joel is a regular guest conductor of professional, college, and all-state orchestras. He has guest conducted the Hubei Symphony Orchestra in Wuhan, China (2015), the Orquesta Sinfónica de Entre Ríos in Argentina (2015, 2017), and the Filarmonica de Stat Sibiu in Romania (2024). He is currently Artistic Director and Conductor of the Pine Mountain Music Festival, a professional opera and classical music festival in Michigan. Joel has also directed numerous opera, ballet, and music theatre productions.
"The Resurrection Symphony is a life changer. If you’ve never been to a symphony before, this is the one to go to," Joel suggests. "It will alter you. You will remember it for a long time. It takes you on a beautiful emotional journey that forces you to think about life and what it’s about in all its pain, tragedy, beauty and triumph. You don’t want to miss it."
Also appearing in Saturday's concert are soloists Lara Neves, mezzo-soprano (Joel's wife), and Kathryn Summersett, soprano.
Kathryn Summersett, Doctor of Music and McClosky voice technician, currently works as a vocalist, private instructor, and music teacher in local schools. She earned her Doctor of Music in Historical Performance from Indiana University, her MM from University of North Texas, and her BM from University of Massachusetts. In 2013, she also became a certified McClosky voice technician. Kathryn also enjoys performing a wide variety of genres including, but not limited to, medieval chant, Renaissance lute songs, baroque and classical opera, romantic art songs, early 20th century jazz, and modern pop. (Inset photo of Kathryn Summersett © DS Sanchez and courtesy Rozsa Center)
Jared Anderson, director of choral activities at Michigan Tech, prepared the choir for this Mahler concert. An active choral singer all his life performing in venues and festivals worldwide, Anderson will be singing in the choir during this production. Anderson is Professor of Music and Chair of the Visual and Performing Arts Department at Michigan Tech, where he conducts conScience: Michigan Tech Chamber Singers and the Michigan Tech Concert Choir. He has worked with ensembles of all sizes and voicing, with singers of many different ages and backgrounds, including choirs at Michigan Tech, Northland College, the University of Minnesota, Brigham Young University, and an inmate choir at the Utah State Prison.
To Purchase Tickets!
If you haven't yet purchased tickets for this important concert, go to https://mtu.universitytickets.com/w/event.aspx?id=7868. Reserved tickets for this event are Pay as You're Able ticketing.This event is Michigan Tech Student Rush eligible. Please contact the Rozsa Box Office with any questions about this event via phone at 906-487-1906, or by email at rozsa@mtu.edu. View current Box Office Hours.
This event will be livestreamed. Should the concert be sold out, CLICK HERE and then click on View Stream.
The Rozsa Center for the Performing Arts cultivates a vibrant and connected community through experiences that bring the Keweenaw together. Located on Michigan Technological University's campus in Houghton, Michigan, the 80,000-square-foot Rozsa Center, the largest theater in Michigan's Upper Peninsula, dramatically expands the region’s access to large-scale performing arts events including Broadway tours, ballet, cirque, music, and more.



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